Friday, June 19, 2026

Getting Seen

    Writing is an inherently lonely endeavor. Those of us who seek to make something on the page spend countless hours in our own heads staring at a screen or a blank piece of paper hoping to manufacture an act of creation; and we do this largely on our own. Yes, there will be editors, and beta-readers, and publishers, and more; but the majority of your time is spent alone.

    Rather frustratingly, this seems to run headlong into the part of writing that comes after all the typing or scribbling. After you've done all the writing you then need to get somebody -anybody- to actually read the dang thing or all your efforts, while not pointless, will seem somewhat...disappointing. At the very least they will be unprofitable.

    This means that we creatives will inevitably have to engage in an activity that feels very frustrating and in many ways conflicts with the actual work of writing things, namely marketing. We have to make blog posts (quite the meta statement there), and social media content (I'm working on it, I swear), and comment on various places that have comments, and on and on and on. All of this comes naturally to nearly no one, at least in my experience, and more importantly -IS NOT WRITING!

    It can often be quite depressing trying to do all of this because for many of us the work produces very little if any actual fruit. You post and you comment and you share and still no one is buying and no one is reading you cannot help but wonder, why bother?

    Unfortunately, I don't have any answers for this. I'm not trying to sell my course or my top ten tips to become a nationwide bestseller. If I had that knowledge than more people would be buying my novella (Nightwatch: on sale now on Amazon!). Still, I can tell you to keep going. Really, as far as I can tell the best advice is to simply keep writing, keep posting. If the words you put on the page are the words that your soul needs to put out there than eventually the people with whom those words resonate will find you, or at the very least you'll empower your own heart and soul. That's what creative work does.

    It can be disheartening to see zero sales or a lack of reviews but really, the reason we write or do any creative thing is because deep down we need to. Follow that need, fuel that drive, feed that beast and you'll be happier for it. See yourself and hopefully someday, others will see you too.

Tuesday, November 25, 2025

Fiction and Meaning

    The history of mankind is found in the stories we tell. Sometimes these stories are true, or true enough, while others are nothing more than the wanderings of our imaginations. However, our stories both functional and fictional serve an important purpose. When we retell the events of the past, we are safeguarding the future. Ensuring that the mistakes and the triumphs that have come before our particular moment in time are remembered so that they can be replicated or avoided as the case may be. Fiction though, has a more varied and unique use both in the pragmatic reality in which we live as well as in the collective unconscious that affects that reality.

“Fairy tales do not tell children the dragons exist. Children already know that dragons exist. Fairy tales tell children the dragons can be killed.”

― G.K. Chesterton

    Our world is full of a great many lessons and important bits of information that we should all take to heart and to mind; however, these truths are sometimes difficult to comprehend either in part or in whole. Now we could recount points of history that display these truths; however, this can often be dry and not always fully helpful in really exploring the nuance of a topic. Fiction allows us to unpack ideas and wrap them in a narrative that both helps to explain and guides the reader along the journey of comprehension. Furthermore, stories from history do not always show the bad guy losing and the good guy winning; sadly, we find the opposite more often than not. Thus, via the avenue of a story, we can discuss the reality of evil that exists while ensuring that it can be conquered. This is especially helpful for the young, who cannot yet grasp and should not yet be exposed to some of the true horrors of the world but who would benefit greatly by being in some way prepared for it. You need not show them explicit pictures of the monsters waiting to devour them, but you can teach them how they may be slain. And as for adults, well, we all need reminding from time to time that the monsters are mortal, don't we?

"You need the simplest version of the idea-the one that will grow naturally in the subject's mind. Subtle art.”

― Christopher Nolan, Inception: The Shooting Script

    Fiction allows us to tell stories that exist outside the bounds of what we know or that has happened. It allows us also to tell make important points in a way that can circumvent the usual walls that we so often erect in our minds and hearts. Say you wish to debate a certain social or political topic. Now, you can do so in a straightforward way, waying the good the bad the true and the false; but you will likely encounter opposition in another person because they have already been inoculated against the idea by their own particular perspectives on the topic.

    Say then, that instead of a straightforward approach, you come after your conversation partner from around the back or from the side. No longer are you confronting their own held beliefs and thus causing the defenses to rise into place, now you are sneaking in through another route. This can be done very effectively by telling a story that presents the issue you wish to discuss. In this way the reader sees the concepts you wish to discuss arise naturally out whatever situation the story presents and thus it feels very much like they have thought of these ideas on their own, thus bypassing their defenses entirely.

    However, there is a problem here. Much of our modern story telling has pushed so hard on the idea of fiction as a medium for discussion or instruction that our movies, books, tv shows, etc. have become nothing more than ideological clubs with which the authors can beat people over the head. This has a few negative effects. First, the messaging and the meaning become so blatantly obvious that the whole endeavor of bypassing defenses is completely missed. If the story wears an ideological purpose on its face than the reader/viewer becomes immediately aware of it and you may as well post a Ted Talk instead. Second, when you write a story with the primary and myopic intention of making your point, the story itself will inevitably suffer. The characters will become cardboard cutouts, the scenery will become irrelevant, and the plot will morph into something that exists only to serve the premise. This ultimately ruins another major aspect of fictional storytelling that is -for most people- not a core feature of truthful history, entertainment.

"Live and work but do not forget to play, to have fun in life and really enjoy it.”

- Eileen Caddy, Millersville University

    Though many may poopoo the idea of entertainment for its own sake, it is a rather important aspect of the human reality. We are creative, imaginative creatures by nature and when we starve that playful portion of ourselves, we will find life to be a truly dreadful and dreary thing to get through. When our stories are seen as nothing at all more than a means to perpetuate belief than those same stories fail at all ends. They will fail to be entertaining as no real effort was expended to make it so, and it will fail to perpetuate ideas because so few people will bother to engage with it. It will likely have the exact opposite affect intended as many will see the story as a blatant attempt to propagandize and will instead reject not only the story but any hint of the point the author wanted to make.

    Stories, at least fictional ones, really need to be entertaining in one way or another. Whether they be harrowing journeys of adventure and danger, tear inducing tales of romance or loss, bombastic mythologies of great heroes, or even simple accounts of the lives of more ordinary people; these stories must take hold of our minds and hearts and drag us along from the first page to the last. It is our job as storytellers to use our words to fill our readers minds with the worlds we create in such a way as to push the real world out of that space, if only for a little while.

    Fiction is important, it has real meaning that cannot be denied and we dare not ignore, or we will all be the lesser for the loss.

Monday, October 20, 2025

For the Love of the Craft

    So, over time, I grow increasingly happy with and confident in my own writing. I am by no means an expert and I don't consider myself an amazing author, but I definitely try to put the time in to refine my work into its best possible form; as far as I can tell. So when I look at what is popular currently with the peoples of the internet, I often get very frustrated at what appears to even my eyes to be pretty substandard prose.

    Please don't take this as some kind of tired "literary fiction" verse "genre fiction" argument, no matter your genre or field of writing your actual writing should be good!

    I've heard it said that good writing is like a window, it should disappear as the viewer looks at what it allows them to look at. If you're writing is stodgy or stilted, bland or broken, then the reader will waste their time looking at your words rather than experiencing the world your words describe.

    I'm not going to call out names, but I recently sat for a good few minutes debating whether I should leave a comment on Facebook because some author "the algorithm" showed me had posted a page from their book that had just functionally incorrect word usage. Beyond that there were definitely more critiques I would have made but ultimately I decided it was best to stay silent. Still, I was left with the bitter taste of frustration. Why, why did this person not see the blatant error in the text? Why did their editor (It looked to be traditionally published so I assume they have one) not bring them to their attention? And also, why, OH WHY, does the reading public have such a poor understanding of language and of quality that they continue to support this low bar of artistic merit from their authors?

    I realize of course that this whole rant will sound bitter. At this point I am an almost entirely unknown author with only a single published novella to my name and it would be perfectly understandable for you to assume that I'm just jealous of the success of other "inferior" writers. To be fair, I'm self aware enough to admit that there is likely some of that swimming around inside me; however, I'm also being genuinely honest when I say that the bulk of my frustration comes merely from the what I see as the state of current popular writing.

    Perhaps it has always been like this. Perhaps the stuff that moves a bunch of copies has always been dreck of one kind or another and I'm just screaming into the wind, but I'd like to think that given the laborious and time intensive and intentionally personal craft that is novel writing, that my fellow writers would want to do the absolute best they could. If just for the love of the craft.

    Also, don't get me started on the "BLANK of BLANK and BLANK" title trend, that crap is ridiculous.

Saturday, September 13, 2025

Inspiration and the Work

    I've been very happy with the reception to Nightwatch and I'm more grateful than I can say to everyone who has given it a chance and to those who've left reviews. I'm so glad you've enjoyed my work!

    I've been working on the next part of this story (never worry, it is on the way!) and it has left me thinking about how we come to creative tasks. We often think of it in terms of inspiration and motivation, but I find that it comes down more to giving it the time and giving it time to percolate through my mind.

    There are times when a sudden bolt of lightning hits and you find yourself filled with new and wonderful ideas, but those times are few and far between, unreliable at best. I really need to sit myself down at my keyboard and just think about what I'm working on. Think about the characters and about what they need to do. Think about the world and what is happening in it. Think about the bad guys and what they really want. Just think.

    And much of the time that will lead to answers, but not all of the time. Sometimes I sit and I type and I delete and I type again and ultimately nothing of any real use happens; or so it seems. This isn't wasted time though as this often serves to fill my mind with the necessary "what-ifs" that will lead to an "ah-ha" moment later in the day or the week or the month.

    Our minds, or at least mine, seems to work on two planes. There is the active, intentional plane where I'm consciously working on things; and the passive, subconscious part where things are processed on their own until a conclusion or insight is finally reached.

    I guess the point I'm trying to make, if anything at all, is that creative work is a process. That process involves actual "work" as well as simply waiting. Waiting for your mind to process, to cultivate, to fill the space between ideas until we can finally see the connections.

    So, go do the work even if it doesn't seem to lead anywhere in the moment and give your mind time to think, even if it's thinking without your help.

    Go Dreaming.